“Deck the Walls 2024,” the 27th annual group exhibition at Houston’s Catherine Couturier Gallery, is an inspiring display of photographic artistry, demonstrating the timeless appeal and versatility of the medium. Running from December 7, 2024, to January 11, 2025, the exhibition offers a compelling cross-section of photographic art, seamlessly bridging the historical and the contemporary. The gallery’s commitment to showcasing a diverse array of styles, artists, and techniques ensures a rich and multifaceted experience for visitors.
This year’s exhibition features a broad spectrum of works ranging from vintage black-and-white prints by early 20th-century masters to vivid contemporary color images. The juxtaposition of such distinct styles not only underscores the evolution of photography but also highlights the enduring themes and aesthetics that transcend time. The exhibition’s ability to integrate such a variety of works while maintaining a cohesive narrative is a testament to the gallery’s curatorial vision.
Among the vintage selections, André Kertész’s “Eiffel Tower, Summer Lightning Storm, Paris, 1927” is a standout. This gelatin silver print captures a dramatic moment in Paris, revealing Kertész’s mastery in composition and his ability to imbue static images with dynamic energy. The photograph’s chiaroscuro effect heightens the tension and drama of the storm, making it a visually arresting piece that invites prolonged contemplation.
On the contemporary end of the spectrum, Patty Carroll’s “Black and Blue” (2024) offers a vivid exploration of color, form, and identity. Part of her acclaimed “Anonymous Women” series, Carroll’s archival pigment print is a striking commentary on themes of domesticity and invisibility. The composition, in which a faceless figure is submerged in an elaborate tableau of objects, encourages viewers to reflect on societal expectations and the roles imposed on women. The meticulous detail and vibrant color palette elevate the piece to a level of surreal beauty, making it one of the exhibition’s most thought-provoking contributions.
Another highlight is Wendi Schneider’s “The Stand” (2024), a luminous work created using pigment ink on kozo paper over white gold leaf. The combination of materials results in a piece that radiates a quiet, ethereal beauty. Schneider’s ability to blend traditional photographic techniques with contemporary materials creates a unique dialogue between past and present, echoing the overarching theme of the exhibition.
pigment ink on kozo over white gold leaf
11 x 7 3/4 inches
Rachel Phillips’ “Swan Song” (2024) provides a contrasting yet complementary narrative. Her distressed pigment prints evoke a sense of nostalgia and impermanence, with the small-scale works rich in texture and detail. Phillips’ pieces seem to whisper stories of memory and loss, drawing viewers into a contemplative space where the fragility of existence is laid bare. The tactile quality of her work is particularly striking, encouraging an almost visceral connection with the pieces.
What sets “Deck the Walls 2024” apart is not only the quality of the works on display but also the gallery’s commitment to accessibility and inclusivity. The exhibition’s pricing strategy, which spans a wide range of price points, ensures that seasoned collectors and newcomers alike can find something to take home. The inclusion of the ever-popular Mystery Boxes, containing photography books valued between $200 and $250 but sold for $50, adds an element of surprise and engagement. This initiative democratizes the collecting experience, making fine art photography more accessible to a broader audience.
The opening reception on December 7th was a vibrant affair, coinciding with events hosted by neighboring galleries on Gallery Row. This sense of community enriched the experience, with art enthusiasts mingling and discussing the diverse works on display. Adding a unique touch to the evening was the Three Penny Pictures pop-up by Charlotte “Stinkerbell” Couturier, offering handcrafted art, sugar scrubs, and bracelets. These artisanal crafts complemented the photographic works, creating a holistic artistic experience that appealed to a wide audience.
The gallery space itself plays a crucial role in enhancing the viewing experience. Thoughtfully arranged, the exhibition allows for a seamless flow between different eras and styles, encouraging viewers to draw connections and appreciate the evolution of photographic art. The intimate setting fosters close engagement with each piece, enabling viewers to discern the intricate details and techniques employed by the artists. The lighting, framing, and placement of the works have been meticulously considered, ensuring that each photograph is presented in its best light.
A significant strength of “Deck the Walls 2024” lies in its ability to spark dialogue between the works on display. The contrast between vintage and contemporary pieces is not merely a visual exercise but a narrative one. It prompts questions about the nature of photography, its role as a documentary and artistic medium, and its capacity to adapt to changing times and technologies. For instance, the stark simplicity of Kertész’s monochromatic imagery juxtaposed with the vibrant, elaborate compositions of Carroll’s work underscores how photography can both preserve and challenge our perceptions of reality.
The exhibition also serves as a platform for emerging artists to showcase their talent alongside established names. This inclusivity enriches the overall experience, providing visitors with a glimpse into the future of photographic art. The presence of experimental works, such as those by Phillips, adds a layer of complexity to the exhibition, challenging traditional notions of what constitutes photographic art.
Beyond the aesthetics, “Deck the Walls 2024” also engages with broader cultural and societal themes. Many of the works on display delve into issues of identity, memory, and the passage of time. Carroll’s exploration of domesticity and anonymity, for instance, resonates deeply in an era where questions of identity and representation are at the forefront of cultural discourse. Similarly, Phillips’ distressed prints invite viewers to consider the impermanence of life and the fleeting nature of memory.
For those unable to attend in person, the gallery’s online presence provides a comprehensive overview of the exhibition. High-quality images and detailed descriptions of the works ensure that art enthusiasts from around the world can experience and appreciate the diverse range of photographic art on display. This digital accessibility extends the reach of “Deck the Walls 2024,” underscoring the gallery’s commitment to making art available to a wider audience.
In conclusion, “Deck the Walls 2024” is a triumph of curatorial vision and artistic excellence. The exhibition not only celebrates the rich history of photography but also highlights the innovative approaches of contemporary artists. By presenting a curated selection that spans generations, the Catherine Couturier Gallery offers visitors an opportunity to reflect on the past, engage with the present, and anticipate the future of photographic art. The diversity of works, combined with the gallery’s dedication to accessibility and community engagement, makes this exhibition a must-see for anyone interested in the art of photography.
The Catherine Couturier Gallery continues to uphold its reputation as a premier destination for fine art photography, and “Deck the Walls 2024” stands as a shining example of its dedication to the medium. Whether you are a seasoned collector, a photography enthusiast, or simply a curious visitor, this exhibition promises to leave a lasting impression. It is a celebration of artistry, innovation, and the enduring power of photography to capture and convey the essence of the human experience.